At the centre of the book's narrative is a secret, an obscured truth, which McEwan uses to lure the reader into the story. Like Briony, the reader is pushed toward a moral judgment by this act of concealment, even though the information necessary to make an ethically informed decision is withheld. Each secret contains two possible destinies, writes Maurice Blanchot, "The stratagem of the secret is either to show itself, to make itself so visible that it isn't seen (to disappear, that is, as a secret), or to hint that the secret is only secret where there is no secret, or no appearance of any secret" (137). The crucial quality of a secret, in other words, lies in its form rather than its content, making the source of its attraction entirely negative. The paradoxical result is that the positive content at the heart of the secret, the evidence that can be gathered and analyzed, is effectively sidelined by the act of obscuration that frames it. (https://muse.jhu.edu/journals/esc_english_studies_in_canada/v032/32.1mathews.html)
While in his article Matthews argues a much different point (that there really is no secret in the novel and the story is merely Briony's attempt to expose her secret when, in reality, she has none - something that I hope to explore later on), the same argument can be used. Perhaps Briony admits to one secret, the possibility of her crime based on her innocence rather than the real reason - her jealousy.
Matthews, Peter. "The Impression of a Deeper Darkness: Ian McEwan's Atonement."Project Muse. 2006. Web. 1 Dec. 2011. <https://muse.jhu.edu/journals/esc_english_studies_in_canada/v032/32.1mathews.html>.
I agree...it was Briony's jealousy, pride, stubbornness, and cowardice. I hate that Briony. They should throw hot tar on her and set her on fire. K.P. Vero Beach, FL
ReplyDeleteshe was only what 13 at the time. Age is a factor which you should be considering.
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